Photo/Cinematographer Corey Weiner

Based in South Florida

Everything But The Girl

I've been playing matchmaker with two really great things: video and ecommerce.  Today, I've come one step closer to making this arranged marriage a happy and healthy one.

We've now figured out how to empower our clients to sell their products directly within a video while it is playing.  So, if the video shows a hotel room, you can book a room.  If it's a video about consumer products, just click the product and pay with a credit card.  The video can be tied in with any inventory in many types of businesses.  Bands can sell t-shirts and music downloads and politicians can solicit financial support (we won't ask them what they plan to do with our money).

As a test, I quickly uploaded an existing video I produced with model Kendra Holliday.  We shot it one afternoon in Delray Beach, Florida.  She just happened to be wearing a few items that might be desireable to the average resort-going woman.  Everything in the video can be purchased (in the test, we're using "clickovers" to the product website but future videos will handle checkout within the same window).  Kendra's wearing RayBan Aviator sunglasses, a white crochet bikini and waterproof mascara from Blinc.  You can have everything...except Kendra.

I'll be testing this further with clients who happen to have a significant social media presence with blogs, Facebook, Twitter, etc.  While video and ecommerce do make a nice couple, it's the social media presence that provides the perfect environment for those nice kids to mingle.

For more information, call 1.561.912.9921 or visit http://bit.ly/rspcin

Web Hits Fill Ships

We produced this video for a luxury yacht marketing firm here in Florida.  The 3.5-minute film is designed to hypnotize you with visual and audible beauty, thus prompting you to click the link in the lower corner and book a week's vacation (costing you $100,000).

All kidding aside, the link is how we track response to the video as it gets picked up by travel blogs, Facebook fans and other websites around the internet, always driving traffic back to our client via the link that always travels with the video wherever it appears. Do your videos feed you bookings like this?

We featured the 130-ft. Westport tri-deck "Mary-Alice II" piloted by Captain Kelly Esser at 23 knots off the coast of Ft. Lauderdale, Florida just two weeks ago.  Helicopter wizardry was provided by Iftach Shimonovitc with Boca Raton Helicopters who had us at about 20 feet off the water at times.  Music composer was Ganga http://bitly.com/rme78c

If you're interested in seeing more of our work, please visit http://bit.ly/rspcin

Air-To-Sea Luxury Yacht Shoot

We were hired to produce a video of the 130-ft Mary-Alice II luxury motoryacht http://bitly.com/​qwf3wF which you can charter for around $100,000/week.

While I shot with a Canon 60D http://bitly.com/​nN9dwZ this BTS video was captured using our GoPro http://bhpho.to/​GoProCar which was mounted to the cockpit windshield with the suction cup mount (still vibrated heavily). But, I felt it was good enough to enjoy along with Darko Saric's high-energy track http://bitly.com/​darkouplift


Skillful helicopter flying was courtesy of Iftach Shimonovitc with Boca Raton Helicopters 
http://bitly.com/​qyK0gpas the yacht was piloted by Captain Kelly Esser. The shoot lasted 1.5 hours and took place off the coast of Ft. Lauderdale and Dania Beach, Florida.

Love This Video? Get A Room.

We just produced a cool, dramatic video of Andaz San Diego, a boutique hotel brand you will hear more about in the coming year.

The "click to book" link in the lower right corner brings viewers directly to my client's booking site so we can measure the video's ROI. Plus, as the video gets picked up by travel blogs and social media sites, that link follows, widening the reach of the booking engine.  We've turned the "image ad" into a "retail ad" without the typical annoying calls to action.  When have your marketing dollars ever been this accountable?  It's about time.

Note the absence of a voiceover.  Why?  Because consumers don't need you to tell them what they can see for themselves.  And, unless you can afford a voice like Alec Baldwin or Gene Hackman, the script will only serve to annoy the viewer.  The music — which, by the way, is as important as the visuals — is by British electronica band Urban Myth Club http://bitly.com/mYrZDo

Filed under  //   film   hotel   marketing   production   video  

How To Put Heads In Beds

Sure, every resort has a video showcasing its "fabulous spa" and "ten thousand square foot fitness center" and "championship golf course."  Oh and I almost forgot to mention the "award-winning chef."

Don't any of these marketing pros—many are my friends and clients—realize these words have become innocuous, if not annoying to the consumer?  But, properties continue to churn out these videos featuring the same two or three voice talents and stock musak tracks.  Where's the Great Idea?  Don't we owe the consumer for their time to watch?

It's time to shake things up a bit.

While the above video is certainly not "award winning," it is a small test sample of a new direction in video marketing for resorts.  Visuals that are shot at the right time of day, carefully chosen and legally licensed music tracks with no annoying voices reciting the well-intentioned bullet points.  However, all important areas (i.e. guest rooms, restaurants, pools, etc.) will be well covered.

The best part is the ability to track response.  That logo in the video's llower right corner is actually a clickable link to  the Tablet hotels booking site. But, imagine if consumers could click a video and be taken to your booking site.  Now that's a great idea.

Fashionably Trackable

Suddenly I'm obsessed with driving ecommerce traffic to fashion websites.  Do you run a fashion website?  Want traffic from people who are—at that very moment—feeling interested, excited and seduced by your product?  Then let us produce a video for you. We'll send it everywhere and track the results.

Above is a 42-second viral video for Levi Strauss & Company that when embedded, includes a clickable logo in the lower right corner which leads directly to product purchase. Go ahead, click the logo and see what happens.  (Well, at least wait until the video is over... unless our work has you so excited you can't contain yourself.)

If you're interested to know how viral videos can help sell your product, feel free to give us a call at 1.561.912.9921.

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Marriott Image From Cancun, Mexico

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Marriott is using one of our images from a shoot we did in Cancun, Mexico with model Toni Muñoz http://j.mp/r90ftO Marriott used it for their rewards program newsletter http://j.mp/qOFavv

Courtney :: Architecture

We scouted and planned a sunny rooftop video shoot with Miami-based Elite model Courtney O'Connor. It didn't go according to plan when, on the shoot day, the weather was not sunny. In fact, it was dark, cloudy and pouring rain. The footage looked more like Northern Europe rather than South Florida. So, I bumped up the blue (a lot) and let Courtney take command of the architecture.

Soundtrack is called "Beached" and legally licensed from Shawn Ethier "Revalver" based in Montreal, Canada.

CINEMATOG: Corey Weiner http://redsquarephoto.com
ASSIST: Jeff Herron http://jeffherron.com
MODEL: Courtney O'Connor http://courtneyoconnor.org
SOUNDTRACK: "Beached" by Revalver http://twitter.com/tweethier

Our Images From Cancun

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We just shot some stock images for Marriott and they are beginning to use them in their campaigns. This particular one was shot on the island of Isla Mujeres which is a short ferry ride from Cancun. We were riding alongside them on a somewhat unpredictable weather day when this shot was taken.

Ensemble Debt Collection

Thieves

This morning, I was standing in front of the Ensemble Collection furniture store in Ft. Lauderdale holding a sign with the word "THIEVES" in large caps (and I never type in large caps). It's a hefty accusation to make publicly.

So, how did I get here?

It was bound to happen at some point. While I've always had slow-paying clients, it would usually end after a few uncomfortable phone calls and then finally, a payment. One time, I had a client file bankruptcy with a $3,500 write off. But, for some reason that I will never understand, Ensemble Collection decided it was worth it for them to test my will to collect a bad debt.  So for the first time in my life, I exercised my First Amendment right to free speech and picketed outside their store in order to collect a long-outstanding debt of $1,600. 

It all started in late 2010 when I gave EC some very nice art pieces to sell on consignment. It was part of an effort to establish relationships with a few high-end retail furniture stores in hopes of selling artwork to their customers. Since EC carries top designers like Kartell, Eames, Stark and Saarinen http://bit.ly/kjZXPp I thought they were a perfect fit for my artwork.

For those not familiar with art consignments, both artist and retailer are equal partners (unlike a supplier relationship where a retailer can negotiate months to pay).  After consigning two pieces, I received a call from an EC salesperson who announced that a customer was about to purchase one entitled "Water" http://bit.ly/mDNsu3 so after having to call multiple times to find out it had eventually sold, I invoiced EC in January 2011. When payment wasn't received by February, I followed up by sending a few polite emails and voicemails with no response. In fact, there was no response in April, May or June either. Internally, there were a few employees trying to facilitate payment but all of their efforts were falling on deaf ears at the top.  Once, when I was lucky to speak with their CFO Kathy she told me the "check is going out tonight" and then rushed me off the phone. After 12 more days passed without payment and even more of my voicemails ignored, I suddenly realized they were making an effort to avoid paying me.  According to our signed agreement, this money belonged to me "upon sale" and since they were refusing to forward my portion, I now considered this not a matter of late payment but matter of theft.

So, what's a recession-weary father-of-two supposed to do at this point?  Call the police? Pay my lawyer good money to go after them?  I decided on an interim step before legal action: picketing their store.

Ensemble Collection is located on a very busy intersection of Sunrise Boulevard and US1 http://bit.ly/iuzgYE and I knew that a regular weekday would have thousands of cars passing by.  I cleared my schedule and planned to picket for two full days, 11am-6pm.  I had some friends who offered to stand there with me but I figured I'd use them on the second day, if I had to.  If that didn't work, I would then have my lawyer start the meter.

In a phone call with one sympathetic EC employee, I said that if their bosses brought me to the point of picketing, I would also use my 20+ years in marketing and my 5,000+ Twitter followers http://bit.ly/jx5LFI to make sure everyone knew that it was EC's choice to escalate this matter.  The day before I planned to picket, I sent both store owner Joe Mirabile and CFO Kathy one last email in hopes either one would give me my money or at least respond to me in some way.  Here is the final paragraph of my email:

I hope you understand I have done all that I can and have waited as long as possible before losing hope to be paid by EC.  If you do not return my call today or a check is not received, I will be in the unfortunate position of having to collect this debt in court which will make it more expensive for both of us.  Please don't force me to do this as I am only trying to be paid for my work.

Neither phone call, check nor response was received.  Exactly twenty-four hours after that email, I arrived at the store with sign-in-hand and asked to speak with Joe in a last ditch effort to avoid publicizing this piece of dirty laundry.  After all, it was Joe who I had originally met with face-to-face (yet was avoiding my calls and emails for six months). When store employees once again told me "There's no check here for you and Joe isn't available right now," I politely told them I would stand there with my sign until someone puts that non-existent check in my hand. It was 11:05am.

Over the next 20 minutes, I estimate 300-400 cars passed by with many drivers craning their necks to read my 4x3-ft sign. I had designed it in Adobe Photoshop CS5 http://adobe.ly/miCzHd using the store's logo and large, bold 900-point type (yes, 900 points) with a clean, black and white palette to match the store's sleek, modern inventory. The sign company http://instasign.com also had an 8-ft sign but I felt mine was plenty enough to do the job.  As I was standing out there in the midday Florida sun, five or six store employees and a few curious customers seemed somewhat entertained by my willingness to right this easily avoidable wrong.

By 11:25, an employee came outside and said, "Well, it didn't take long. Here's your check." Feeling relieved, I immediately drove one block to BankAtlantic and walked out with my $1,600 cash-in-hand.

Case closed.

Well, not so fast. I take pride in having warned Ensemble Collection multiple times that I am a publicist by trade (in fact, it's basically my only marketable skill) and it's so gratifying that I was able to use my advertising, PR and journalism experience to bring justice to the situation.  Every EC employee knows how hard I tried to avoid getting to this point.

Once I posted this story, my Facebook page lit up like a Christmas tree with words of support from family, friends, friends of friends and complete strangers.  It's been retweeted multiple times and bit.ly shows it trending with 152 clicks in the first hour after posting.  It seems everyone has faced something like this at one time or another and considering EC's 2-star rating on Google http://bit.ly/mCEe92 and 2.5-star rating on Yelp http://bit.ly/k5b5cz I'm not the only one unhappy with the way they do business.  With the internet being the world's great information archive, your reputation in cyberspace becomes an organic, dynamic and permanent record of who you really are.

Ok, now, case closed.

UPDATE JUNE 22, 2011: Case re-opened. At 11:12am this morning I received a call that began, "Hi, this is Joe Mirabile." I immediately thought he was calling to sincerely apologize for mishandling this whole thing.  Instead, he went on to say, "You mentioned in your blog that I'm the owner. Well, I'm not the owner. The owner is a company that might take legal action against you."  After a stunned pause, I asked him, "After six months of ignoring my calls, that's what you called to tell me?"  Then I hung up.

If Joe Mirabile is, in fact, not the owner then the owner must be really, really pissed at him right now.  And, what's the first thing an incompetent manager does when the boss asks why some man is picketing outside the store on a hot summer day?  Managers like Joe (and so many companies are filled with them) try to blame the victim (because he certainly couldn't have caused this himself, right?). I sure hope Joe's boss is smart enough to see through it.  If not then any decent legal counsule should ask, "Why didn't you just give the guy his money to begin with?"

 

Filed under  //   collection   debt   due   ensemble   fort   ft.   furniture   lauderdale   legal   money   past   picketing  

PORTRAIT-in-MOTION :: Johanna at Wall

If your father is Italian, your mother is Dominican and you're 24, there's a remote possibility your body could look like this. It might also depend on diet and exercise but without the genetics, you'll probably be on my side of the camera.

Wilhelmina New York fitness model Johanna Sambucini was in Miami Beach for a few days so we decided on a quick collaboration. Just east of Collins & 18th is a newly-painted white wall. Next to that is a beach shower. Add a model (and a bit of clothing) plus the Miami sun and you'll have all the ingredients of a video shoot.

Legally licensed soundtrack is "Macky" from Danish composer Ganga http://ganga.dk

PORTFOLIO-in-MOTION :: Kendra In-Studio

THIS IS THE :30 VERSION OF THIS VIDEO: http://vimeo.com/24999128

This is the strikingly beautiful Kendra Holliday. Kendra is a Miami-based Elite model and we've worked together before. I was thrilled when she agreed to be a part of this first "portfolio-in-motion" idea of mine.

A 2.5-minute video can give a photographer or filmmaker a better idea of what a model or actor would be like to work with more so than any headshot or still portfolio. There's a big difference between seeing a frozen 1/250th of a second that's been photoshopped to death versus seeing a captured 5 or 10 seconds of motion.

The cost of producing a video like this (with full studio rental, assistants, hair, makeup, etc) would certainly be a few thousand dollars. However, multiple talent can split production costs to make them palatable. Plus, every video doesn't have to include this many "looks" but we wanted to get as much done as we could while on set.

Equipment included one Canon 60D, 24-70 L zoom, Cinevate Atlas 10 slider, Gitzo 5-series, Glidecam 4000HD, ShotTracker skater dolly and one 7-ft Westcott diffuser umbrella. Lighting was done with either one or two Lowel DPs. Edited in Adobe Premiere Pro CS5 and color graded with Magic Bullet Looks 1.4 (based on their presets but highly modified).

Thanks to Alex Markow for shooting the behind-the-scenes images.

CINEMATOG: Corey Weiner http://redsquarephoto.com
MODEL Kendra Holliday http://kendraholliday.com
HAIR/MUA Jennifer Majewski http://kissthismakeup.com
ASSIST Alex Markow http://alexmarkow.com
SOUNDTRACK Slinky Gal by Darko Saric http://bit.ly/​lIhaRq

I Need Music Just Like This

Since moving into filmmaking, I have an ongoing need for great music. While I've managed to find a few very talented, independent composers who can license their tracks directly to me, most of the other stuff out there is really, REALLY bad.

I need tracks that are of high production and creative quality. Here's a link to a playlist with a few tracks I have licensed.

http://bit.ly/lTF1rD

Anyone out there with more like these? Feel free to email links and license fees to music321@redsquarephoto.com

PORTRAIT-in-MOTION :: Austra

Models, actors, musicians and other professional artists should be creating these short, 2-minute "portraits in motion" to promote themselves.

For years, models have shown potential clients their highly retouched portfolio or when the client asks, a very poor quality digital "Polaroid" snapped by a friend. Neither one shows the model as they really are.

Now, motion pictures (aka "films," "moving images" or the cheap-sounding "video") have the ability to show different angles, expressions, personality and features of a particular person. Beauty closeups, walking, jumping, laughing and other actions can be included, or not. The best part is retouching motion pictures, for now, is exclusive to the biggest budgeted Hollywood productions so you can be sure the model looks just as you see them.

We shot 20-year-old Austra Noelsson with 100% natural light one morning outside in Ft. Lauderdale, Florida. The shoot took about an hour and editing was about three hours. The music is a legally licensed track called "When I Close My Eyes" from Danish composer Ganga.

Marriott Rewards Image

Marriott is using our image for their "Rewards" benefits email newsletter. So, why are we not upset their using our work? Well, because we shot it for them at their property in St. Thomas, USVI.

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Christian Aporta Swimwear Show at Nikki Beach

Christian Aporta Spring/Summer 2011 "Black" Collection from Red Square on Vimeo.

Photographer-turned-swimwear-designer Christian Aporta's "Black" bikini collection at Nikki Beach in Miami. Filmed and edited by Corey Weiner at http://redsquarephoto.com

United Nude LOOKBOOK Spring-Summer 2011

United Nude / Lookbook / Spring-Summer 2011 from Red Square on Vimeo.

Dutch architect Rem D. Koolhaas and seventh generation English shoemaker Galahad Clark launched the United Nude shoe brand in 2003. Since then, their innovative designs have been considered works of fashion art.

Along with the United Nude pop-up store in Miami's Design District, we created a "lookbook-in-motion" that was design focused, influenced by color, lines and a concept alluding to the sexiness the brand's name suggests.

We collaborated with fashion blogger Kaylee McCall who runs a pr firm in South Florida, NomadicPR, as well as The Stylish Nomad blog. She's also the "nude" girl in the video. The concept is based on a woman walking into a shoe store without clothes on. She has lots of fun trying on every shoe until she finds the perfect pair to wear out for the night.

Filmed/Edited by http://redsquarephoto.com
Concept by http://TheStylishNomad.com

PRODUCTION NOTES: Shot on a Canon 60D with 24-70mm and Lowel tungsten lights (mixed with the store's halogen and a bit of daylight on the earlier shots). Camera movements were achieved with the Cinevate Atlas 10 slider and Glidecam HD4000 while editing was done in Adobe Premiere Pro.

Filed under  //   architect   couture   dutch   fashion   koolhaas   ladies   lookbook   miami   rem   shoes  

Fashion Show + Skateboard Contest

Fox House Launch Party from redsquarephoto.com on Vimeo.

Shot at The Stage in the Miami Design District. Light was really low but managed some good skateboard details. The music is from Scarlett Drawl. Captured and edited by Corey Weiner http://redsquarephoto.com

"Star Spangled Banner" Audio Test

I recently purchased new audio equipment so what better way to test it than have a local 11-year-old soprano sing our national anthem.

Van Gogh Forth + Multiply

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I recently shot a very interesting ad campaign for newly-launched http://bandagedear.com which uses social media to connect people through their opinions of art. The site hired me to do a modern adaptation of a famous self-portrait by artist Van Gogh. We cast both male and female models of various ethnicities, propped them and posed them with a few key hints of the original artwork (they were allowed to keep their ears). Above is the original painting, along with a few examples from the shoot. While most of my clients have been under pressure to sacrifice quality and creativity in the interest of fast deadlines and slashed budgets, this entertaining assignment renews my belief that nothing piques interest, creates buzz and drives traffic like a great concept.

Luxury Hotel Video Marketing

Luxury Hotel Marketing from Red Square on Vimeo.

These clips were shot during a still photo shoot at one of my client's hotel properties. They were edited the following morning and posted that afternoon (24 hours total production). Portfolio available at http://redsquarephoto.com

Filed under  //   film   hospitality   hotel   luxury   marketing   motion   pictures   resort   video  

Sushi Installation

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Just installed four large metallic chromogenic prints mounted on aluminum at Bluefin, a local sushi restaurant in Boca Raton, Florida.  This is one of my actual installations as opposed to my "simulated" installs on http://bit.ly/rspartp

3D Consumer Electronics

This product is sort of like an iPhone for your home or business. The detachable handheld tablet contains familiar icons which control apps like weather, news or even your lights and air conditioning. We shot this 3D/360 image for the manufacturer OpenPeak. For more info, contact us at 360@redsquarephoto.com

Filed under  //   360  

Zoe & Me

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Zoe is a fashion model in West Palm Beach and we shot some things for each of our portfolios.  This is one capture from a shoot at Spa Eleven in Delray Beach.  It was a curved bank of mirrors.
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360° Hot Wheels: 1964 Ferrari 250 GTO

To show an example of our 360° car photography abilities, we were lucky to find a rare 1964 Ferrari 250 GTO (click/drag your mouse side-to-side to see all angles). Well, lucky to find a toy version of the car.

When the GTO was first introduced in 1962, buyers had to be personally approved by Enzo Ferrari before they were allowed to pay $18,000 for one of the 39 cars made. The 300hp V12 engine helped the car finish 2nd in its racing debut at the 1962 Twelve Hours of Sebring. With its sleek design, it is considered by many to be one of the most beautiful cars ever made. Today, the car is highly sought after by collectors with one sold in 2008 to a British collector for over $25 million.

Filed under  //   360  

3D Museum Exhibit

South Florida museums are not known for featuring ancient artifacts. But, someone with a collection of interesting pieces could certainly host a "virtual museum" of objects, artwork or antiques. This 360° photograph above shows three ivory sword handles and is a great way to handle a museum exhibit without actually touching it.  Contact us at 1.561.912.9921 or 360@redsquarephoto.com 

Filed under  //   360  

360° Beauty Photography

This image is from the second shoot for a hair products company. We adjusted the lighting so that shadows and highlights give a more traditional beauty look with the added impact of the 3D. The ability to use your mouse to turn the model is a great way to show all angles of the product. For more info, contact us at 1.561.912.9921 or 360@redsquarephoto.com

Filed under  //   360  

360° Ecko Red High Top Sneakers

Our first 360 degree apparel product photography shows these red, white and grey high top sneakers from Ecko Red. The design and detail of these shoes could only be shown with a 360° view, much cleaner than multiple shots that the viewer has to click. For more information on 3D product photography, contact us at 360@redsquarephoto.com

Filed under  //   360   apparel   ecko   red   rhino   shoes   sneakers  

Black & White 360° Beauty Product Photography

We can apply the same looks to 3D images as any other photographic image. Here is a simple black and white look for a beauty image.

Filed under  //   360  

You're Now Entering Another Dimension

I've always been a huge fan of Rod Serling. He used seemingly average situations to illustrate unique ideas with both style and substance. After every episode of Twilight Zone, viewers were left thinking "I've never thought of that before."

How does the late Mr. Serling relate to my photography business? Well, it might be a stretch but after 11 years of shooting still images (along with the occasional video experiment), I am currently in the middle of my first 3D product shoot for a manufacturer of hair products.

We used a live model to create a series of 52 still images from unique angles and then stitched them together in post-production. It is a less creative, highly technical process that what I am used to. The result is an impressive 3D image that viewers can click/drag back and forth with their mouse. For web designers, it takes up less space than showing multiple angles and you could certainly never show all 52 of them!

Since Blogger does not have the capability to show 3D images, I have set up a separate blog for this work:

http://redsquarephoto.posterous.com

Out there is another dimension. My goal is to find as many applications as possible for this unique imaging technology.

New York State of Mind

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I just returned from a quick 72-hour trip to New York City and as usual, there were a few "only in NY" moments.

As a child in the early 70s, I remember riding the subway, walking through Times Square and playing in Central Park when these areas were well known for muggings, assaults and other fun things. By the late 90s, the Giuliani regime had cleaned up much of the city and aside from the occasional one-finger salute, tourists can now enjoy most parts of Manhattan unscathed.

One of the most beautiful areas of the city has to be Central Park. There is one area within the park featuring a majestic elm tree-lined path where my family and I enjoyed a few moments of zen over the weekend. And when I wanted to photograph the beautiful tree canopy, I used my mini-triopd to set my camera at a very low, dramatic angle, dead center of the pathway.

While adjusting through my camera, I watched a grey-bearded wizard-type creature walk right up to my lens, mumbling something like "At your service" and "Google my name." (He looked like a KKK member after raiding the wardrobe department on the Harry Potter set.) I turned around but there were no film crews, kid's birthdays or early Halloween parties in the area. I didn't know where to redirect him out of my shot.

In my experience with shooting in other urban areas, I remembered the magic formula for getting people to move out of my shot...money. So, I offered the wizard guy $1 (expecting him to politely turn it down as not to compromise his holy wizardry) when all of a sudden...POOF! The wizard—along with my dollar—was gone.

When I returned home, I did in fact Google his name "Blackwolf the Dragonmaster" and found not only did he recently appear on Conan O'Brien but has many YouTube videos including this one which will give you an idea of how Central Park's characters have evolved versus 40 years ago.

Play That Funky Music

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A Miami-based hip-hop/R&B music promoter is looking for a graphic designer to produce CD covers, posters, banner ads and other marketing pieces.

I'm no graphic designer but above are two quick sample CD covers I did using images I shot a little while ago. It's funny what just a little cropping and typography can do.

Before this week, I probably would have referred them to one of my very talented designer friends. But now, I feel like taking on new and different things so let's see how well this white boy understands the hip-hop market.
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Smile, Cupcake!

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Now for something completely different.

Lise Ode, a good friend of mine, is starting a wholesale gourmet cupcake business. She's been baking custom wedding cakes for hundreds of dollars each and will now segue into the neglected cupcake market.

If someone would pay $4 for a cup of coffee, would they pay another $3 for a cupcake to go with it? We will see. In the meantime, she needed product shots and it just so happens that I do accept cupcakes as payment.

The lineup above is (left-to-right for the color blind) Pinkalicious, Minty Chocoate Mint and Creamy Lemon Dream. If you're feeling hungry about now, check out http://www.prettyinpinkcake.com
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Never Say Never

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Remember when Bush The Elder made a campaign promise of "No new taxes" and then a few months later introduced a bunch of new taxes? Well, I always said I would never get back into my former life of graphic design but here I go again.

David Omsky, a 12-year-old amateur tennis player will be having his Bar Mitzvah this year. Since he loves tennis (and therefore loves Rafael Nadal), I asked him to sacrifice his teeth for a really great shot. I used the shot in the above invitation design and voila, I'm back in the graphics business.

If your dog is having some friends over for tea, I might even do an invite for that too. Aunt Gladys having her 200th birthday party? Let me know because I might actually enjoy this job the second time around.
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Hotel Rwanda: Part II

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In the mid-1990s, Rwanda literally could not find a friend to save its life. Now, everybody wants in on Rwanda's prosperity and I guess that's just how the world works.

Back in March, I received a phone call from a man telling me about this 4-star hotel he built in Rwanda and how he wants top quality images to help market the property. He said he liked my work for Hyatt, Marriott, Ritz and others and he was willing to pay for that same quality.

My first thoughts (aside from that movie) were: How could there possibly be a photogenic hotel in a place like Rwanda? Are four Rwandan stars the same as four American stars? Does this man know what American photographers charge?

As it turns out, my impressions of this central African nation were still left over from 1994 when CNN, NBC and a few other media outlets were kind enough to preempt an episode of Seinfeld in order to debate the definition of genocide.

In the 15 years since the horror, this tiny country has experienced an introspection and self-improvement that even "The Greatest Country In The World" would be smart to emulate. Women now make up more than half of Rwanda's parliament. Dubai World has committed to US$4 billion in Rwandan development. There are plans to install high-speed broadband across the entire country and construction is booming. I guess success is easier once you've hit rock bottom.

A small component of this success is the Top Tower Hotel, a short drive from the new U.S. embassy in Kigali. It was designed by a Chinese architect and built by a Chinese general contractor. My client deserves the credit for hiring me all the way from Florida versus a local African photographer. I'm sure my cost estimate was a tough sell internally but he's somewhat of a visionary and an example of the country's new thinking.

I am thrilled to play my tiny part in helping promote the new Rwanda. But I'm also proud to be one of the few Americans to see that Rwanda's sequel is so much better than the original.

Art vs. Commerce

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With the partial collapse of the commercial photography market, I think it's a great time to venture into the completely collapsed fine art photography market.

I received a request to do a large print of one of my favorite images shot in 2002. It shows the platform area of the very beautiful Centraalstation, Antwerp, Belgium's main railway station designed by architect Clement van Bogeart in 1895.

The image was shot with a Nikon F3 and 28mm tilt/shift lens (the lens later suffered cobblestone impact thanks to my then 3-year-old daughter). The film was Fuji Reala which I was obsessed with due to it's great color saturation and low grain. However, with such a large print from such a small negative, film grain is an unavoidable yet beautiful component of this particular piece.

Printed at 76x50" (1.93x1.27m) on an archival light-sensitive substrate and mounted on 1/4" acrylic and 1/8" sintra backing, the total cost to my client was very reasonable including delivery and hanging. Being an "unknown artist," I haven't a clue what a gallery would charge for a piece like this so if there are any art consultants out there, please let me know.

I've only made a few art prints in my 11-year photography career and it is certainly fun. But, my true love is marketing: Creating and licensing my images to help clients move merchandise, put heads in beds, butts in seats, a turkey in every pot (you get the point).

I Dream In Color And B+W

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Had the craziest dream the other night...

I was walking by Harrod's on a bright and sunny day when I noticed a young lady ringing a bloke from a red phone booth.  She was dressed just like a fashion model.  I reached for my camera and started clicking.  Instead of turning away, she struck a pose and make very fashion model-like faces.  The shoot lasted all of two minutes and then before I could invite her for tea...POOF!  She disappeared.

When I woke up, I ran over to my camera to find the above two images on my flash card...crazy!
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Humbled by NOTCOT

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My updated portfolio site was recently featured on the design blog http://notcot.org

NOTCOT monitors style and trends from all corners of the globe so to say I'm flattered is a great understatement.  If you love great design in fashion, architecture and gadgets, this blog is for you.

Love Tennis

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This past Saturday, I had the opportunity to shoot the ladies' singles final and the men's doubles final at the Sony Ericsson Open in Key Biscayne, Florida. A good friend of mine could not make use of box seats which, you can see from the angle of my shots, were very close to the court.

First, Belarusian 19-year-old Victoria Azarenka defeated Serena Williams. Then, Israeli Andy Ram was playing in the men's doubles but we didn't stay until the end of the match because we realized everyone had gone home except us and Andy Ram.

Larger versions of these shots can be found on my new portfolio site http://redsquarephoto.com which I am quietly updating as we get some kinks worked out.

Remember This Name

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You heard it here first...Laura Scott.

We had a great shoot yesterday with 19-year-old Laura who brought her 12-months of experience, a bag of clothes and some great genetics to an impromptu shoot along the Miami River. Full of ideas and attitude (the helpful kind), Laura is sure to be America's next top model.

As for me, I'm discovering the freedom and creativity that comes with shooting fashion. A corporate client might say about the above shot, "Looks great but can you have the model stand up straight and smile at the camera? Oh, and...we need it in color."
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Pretending To Be A Studio Photographer

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In 10 years of shooting professionally, I've never needed a studio. Since all of my work was architecture and travel-related, most of my shoots were on location somewhere. If I did need to shoot something small, I would convert my kid's playroom into a makeshift studio.

Yesterday marks the big turning point in this journey. I booked a 4-hour studio at TYE in Ft. Lauderdale and shot the lovely and professional model/singer/dancer Allyse Gibson for her portfolio and my stock library.

We'll see what the future brings.
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Perfect Gift For Your Farmer

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You've always wanted a video camera with cows, right?

The famous USB Flip video camera now comes in high-definition with b/w cow photography design.

The Bovine Edition Flip MinoHD holds 60 minutes of HD-quality video on an internal 4GB hard drive and sells for a very economically stimulating $240.

Longevity Of A Golf Shot

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We shot the above image for Hyatt on a shoot in Kauai back in 2004.  What you see is about 80% of a 110-degree panoramic image of Poipu Beach's stunning volcano-to-Pacific golf course.  I just recently stumbled Hyatt's website and was pleasantly surprised at the image's long shelf life on their Gold Passport golf-specific portal.  Considering the landscape hasn't changed in thousands of years, they can probably keep using that image for millennia to come.

The Kauai shoot was done with a total crew of 12 including client, agency, models, etc.  It was a large production that I'd love to see again sometime but I get the feeling resorts are a bit scared to invest marketing dollars at the moment.  Where do resorts sit on the necessity food chain?  Probably right next to resort photographers.

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Undisclosed Leading Retailer

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Nothing is more annoying than a photographer who feels compelled to drop the names of his clients, hoping that someone else's hard earned brand equity will suddenly rub off on him.  After all, if his work is good, the photographer should feel secure enough with himself...right?

I will tell you that we have been shooting interiors for a French retail client who is not known for being a low price leader.  There...that's all I'm going to say.
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Think Different.

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This was Apple's advertising slogan back in 1997. The company, long known for its creative thinking, inspired its core customer to think outside the norm.

After shooting about 300 hotel rooms over the last decade, I've learned the bed, desk, TV and lamps are all givens. So, if a photographer's job is to set clients apart from their competition, they have to think differently.

I shot the above guest room for a major resort client on the island of Aruba and decided to just ignore the room (yes, a room shot that ignores the room) and focus on two elements: windows and view. After all, most consumers can figure out what the rest of the bed looks like, right?

While the last photographer of this room certainly didn't take a bad shot, it looks like a very typical Caribbean resort room. If you put both images side by side, which room would inspire you to pay more per night? If you were a magazine editor, which shot would you devote more space to?  That, dear reader, is the bottom line. Photographers who are able to increase the perceived value of a client's product will always get more opportunities to Think Different.

Red Square Photography Turns 10

This month marks the 10-year anniversary of Red Square Photography. Just writing that sentence feels strange since I still consider photography my "new" career.

Back in November 1998, I had grown tired of the advertising business. As any ad agency staff can attest to, burnout is easy when you're overworked, underpaid and spend your days (plus some nights, weekends and holidays) surrounded by the wittiest, most intelligent, manipulative, fun and narcissistic people. I fell in love with TV and print advertising at a very young age and always thought I belonged in that industry. But after eight years in agency account management, I became depressed with the realization that the more brilliant our ideas, the more tumultuous the process of getting them approved and produced.

Finally, at famed Miami design firm Pinkhaus it was Joel Fuller who pulled the plug. He told me, "Corey, you're not the guy I heard about before we hired you" and he was absolutely right. He also said, "All the clients think you hate them" and he was right about that too. I agreed with Joel on all accounts, made a sincere apology and left that Friday with my final paycheck.

The very next morning, I got a call from Palm Beach interior designer Annick Presles who does very opulent residential work in South Florida and the Caribbean. My in-laws hired Annick to decorate their home and she had seen some snapshots I took around the house just for fun. She told me they were very good shots and that she would pay me to shoot her projects. I asked her if this type of photography was a real job and she replied in her very French accent, "Oh yes, I pay architectural photographers thousands of dollars."

That was all I needed to hear. I shot the job for Annick and began assisting Dan Forer, a veteran architectural photographer based in Miami. I told him that I had just given up my $70,000/year advertising job, my wife is three months pregnant and I wanted to be his assistant. Dan said, "Great, you can start at $5 per hour."

Lucky for me, I was also starting to shoot real estate for a Sotheby's affialiate in Boca Raton called Premier Estate Properties. Premier had three marketing-savvy partners who wanted to build their brand with the distinctive look of super high quality architectural images. They saw the value of good photography in not only selling properties but wowing a homeowner into giving them the listing to start. Over the next six years, I would shoot hundreds of homes for Premier, most of them massive estates which not only built my architectural portfolio but gave my client editorial coverage they would not have received with the typical low quality images like the rest of their industry.

That was how Red Square started. As of today, total company sales during the last 10 years have been $1,760,465.78 with the bulk of that from the last six years. While I do work from home in a mostly fee-based business, this number still includes travel expenses, employee payroll, equipment and other outside costs so it's not my personal income. But, what that number represents to me is the total value of my work to all of my clients. That's what they have given me to create marketing tools to help sell their products. In a way, I'm still in advertising.

Behind the scenes there are a few people who have been with me since Day 1 and they must be acknowledged. First is Lauren White who for 10 years has kept my books in order, taxes paid, forms filed and QuickBooks running. This is one job that I could not do.

The other person I have to thank is my wife Katia who was only supportive when I decided to change careers. Since then, she has spent many dusks and dawns alone with our kids so I can travel. She never gets to come with me when I work in amazing places like China, Bali or some island in the Caribbean. And now that I'm doing more resort lifestyle, I'm coming home with shots of models running on the beach or half-naked on a massage table. How many wives would put up with that? She knows she can trust me and she's right because I am doing this job for my family. I remember Addie Lorber (wife of photographer Peter Lorber) once told me, "We aren't 'photo wives' we are 'photo widows.'"

As for the future, I can see three things on the horizon (not including a painful recession): video, a new website and more photo products.

First, I've been experimenting with architectural timelapse HD video which I find a beautiful and natural progression from still images. I'm teaching myself Final Cut but have yet to find a commercial client willing to pay for this type of moving imagery. For the website, I have contracted with famed Belgian web designers Group94 for a complete re-design of the portfolio site which will launch next month. Last, Red Square's sister company Kamra will continue to make photo-based decorative and food service items for hotels and restaurants. It's been a slow start but I still believe the idea has potential. We will see.

This blog post officially concludes the first 10 years of Red Square Photography. Next update: November 2018.

End of the line for Digital Railroad

Well, after signing up with Digital Railroad for distribution of my stock images and regretting it soon thereafter due to their inferior product, the company has just announced an immediate cessation of all business operations. Photographers using DRR's services are at risk of permanently losing their images unless they have them backed up (as mine are). So, I am sitting in my hotel room in China, trying to migrate 1,500 images over to PhotoShelter (who, incidentally, is also facing tough times).

This makes the stock photography market feel more like that other stock market, doesn't it?

Bank of China at 6:15pm

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This IM Pei landmark lights up the Hong Kong skyline at 6:15pm every
night. I snapped this while my big camera was doing a timelapse video.

Live From Kowloon!

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It's 5:30pm at Victoria Harbour and while my auto exposures are going, here's a live iPhone dispatch from the Star Ferry Terminal. You can see my most valuable piece of equipment is an old ferry cleat and a new Novoflex MiniPod.

These shots will be part of my redesigned portfolio site which is set to launch in December.

Hi, Hyatt

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At this very moment I'm sitting in Continental's Newark lounge, testing my iPhone's direct-to-Blogger posting abilities which are, so
far, impressive. And, as I flip through this month's in-flight
magazine, I recognize one of my shots.

Back in 2004, we went to the Hyatt Regency Kauai and cleared a
restaurant of its tables, brought in lounge chairs and wet the floors
in order to make it look like a private waterfront cabana (they pay
us to think of these things).

One thing we did not plan is the tiny sparrow on the left, who landed
just as I snapped this exposure. He quickly left as the strobes
popped so I was unable to get him to sign a release.

Please Prepare For Takeoff

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I know my last blog post was a while ago but I've been preparing for two big, long trips. The first is to China where I will be shooting in Hong Kong and then attending a trade show in Guangzhou (the trade show is to meet suppliers for Kamra). Then, I'm home for three days to participate in Florida's second presidential election debacle before heading down to the Caribbean for another shoot.

Despite the economy, current bookings seem to be good through 4Q/2008 and 1Q/2009 (if I can offer myself as an economic indicator). The other purpose of this post is to test the direct email-to-blog posting system which I plan to use while traveling.

Fresh Cut Shoes

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A few years ago, I was on a shoot in Orlando when I came across a patch of wheat grass. It looked thin, tall and green so it caught my eye and I shot it.

A few days ago, Zazzle launched a custom shoe program. Now, the boring white shoe and the tall green grass can live together in harmony. And, for $67.50 plus shipping, your feet can join the love fest.

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Fromage du jour

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My two good friends, Claude and Jacques, are obsessed with an old radio antenna. And they've expressed their unrequited love by writing the sappiest poem, set to the cheesiest music. Feeling sorry for those two quiche-eaters, I allowed them to use my images in their video.

If you like cheese...bon appétit!

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Vimeo My Video

For those who had difficulty viewing the iMovie, here is the Vimeo HD version in 16:9 format.

But What I Really Want To Do Is Direct

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It seems a few of my photo colleagues have diversified into moving pictures.  As photographers, they should already know something about lighting and composition.  Combine that with the relative ease of editing through free software like iMovie and just about any geek can become Steven Spielberg.

The other side of the coin is that with both visual and audible creativity comes the ability to seriously annoy viewers if things aren't handled with taste.  (Anyone who doesn't understand this should watch a few minutes of cable TV advertising.)

I have had a few clients inquire about producing videos and figure it's a perfect time to see if I know a good movie from a hole in the ground.  With this in mind, I've been up late, experimenting with iMovie.

If you have eight minutes, please watch my first iMovie, a montage of still images from our recent shoot in Mexico.  There's a music track so make sure your volume isn't too high or too low.

Any feedback is appreciated.  Since each of my blog posts usually produces an emailed comment or two, I'm sure someone can tell me if I've acheived cinematic greatness or just another screen saver.

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It's A Small Worldnik After All

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It was interesting when I was hired by Moscow-based real estate developer Mirax to shoot one of their projects in Miami. Not only was the location interesting but so was seeing the long reach of Russian wealth and business interests.

It got even more interesting two weeks ago, during a lunch in Gent, Belgium with local web design firm Group94. Project manager Tamara Schauvliege casually mentioned a client of theirs, "Mirax" and my ears perked up. Could this be the same Mirax that I know from Russia?

As it turns out, it was the exact same company. Not only that, but I remembered during the processing phase of the shoot, my client rushed me to finish the images because they had to "get them to the web design firm." I never asked who the design firm was and like so many of my delivered projects, it was deleted from my cerebral hard drive to make room for new projects. Meanwhile, unbeknownst to Group94, they were using some of my images to launch the project's new website.

It must be nice to be headquartered in Russia, manage projects in Miami and choose a web design firm in Belgium. Then, at a chance lunch, it all comes full circle. The world is certainly getting smaller by the minute.
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Accept No Imitations

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When I started my photography business back in 1999, I searched for a name that was simple to say and easy to spell. Most of my fellow photographers use their own names like "Joe Smith Studio," and this being a very personal business, it makes sense for the craftsman to have his name on the door.

But, my name is "Weiner," a name I hate to hear, spell or speak. So, my business name was to be my departure from my ancestors who came from Austrian Galicia in the 1880s. Maybe Weiner was a wonderful-sounding name back then but today, it's either pronounced "whiner" (a complainer) or "wiener" (a hotdog...or worse).

One day, my wife just said, "How about Red Square?"

Without any thought, I filed for the S-corp "Red Square, Inc." (d/b/a Red Square Photography) and designed a logo with, you guessed it, a four-sided shape in the color of red. At the time, I knew there was a very famous Red Square in Moscow and a Red Square nightclub in Miami Beach. I knew the nightclub wouldn't last and I figured the one in Moscow was too far away to be a factor.

What I didn't realize is how many other people loved the red square idea and how the internet would soon make any physical distance irrelevant. Hundreds of companies from all over the world in all different industries use a red square in their identity. It must be a trend because Wikipedia shows nine different "red squares." Even a fellow Florida photographer offered the sincerest form of flattery.

The best example is another company actually named Red Square Photography in Derbyshire, England. They started about five years after me (which makes me wonder why they didn't just choose some other name) and they shoot weddings, kids and animals. Not exactly competition, except maybe at domain registration time.

So, here I am in an industry that lives by serving the newest, freshest and most creative ideas. We're supposed to help clients stand out from the crowd, build unique identities and other things like that. I'm going to stop whining and design a new logo.

Yo, Airtaxi!

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A few months ago, I got a call from Stanford Magazine, the alumni publication of yes, that university in California. In typical photo editor fashion, the voice on the other end asked if I was "available for a shoot tomorrow" and of course, on a limited budget.

Normally, I would just politely hang up the phone at this point but realizing this could be the closest I might ever get to a fine educational institution like Stanford, I had to at least find out what they needed.

Apparently, two of the engineers behind the "on-demand" jet charter company DayJet were going to be at Boca Raton airport for just a few hours and the publication needed a quick portrait for an upcoming profile on these guys. They did a Google search for photographers closest to the airport and since I live about 3 minutes away, I guess I won the contest.

I immediately thought of that great portrait of actor Morgan Freeman standing on the wing of his jet. Another image that popped into my head was Sir Richard Branson in the Samsonite ad. Aviation is filled with interesting visuals, if only we had time to set something up.

The best we could do was open the hangar at dusk and position a few aircraft for the shot. (Luckily, DayJet's rocket of choice is the very light Eclipse 500 which the average photographer can lift and maneuver for good prop placement.)

By the next day, I electronically transfered the high-res file to California and they went to press. The online article can be found here. As a side note to photo geeks: See how the website's version of the image has dropped the color profile versus the sRGB-tagged example above. I guess Stanford could use a lesson in digital!
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Florida Builder Crushed By Giant Snowball

Liz Ordoñez-Dawes is a fellow photographer and a friend of mine. She's based in South Florida so technically, she's my competition. But, since both of us share an open attitude towards the photo community, we have each benefited by sharing ideas as well as the frustrations of our industry. I met Liz over 20 years ago when we both attended the same accounting class at our very non-Ivy League university.

Hopefully Liz remembered something from that class because she just won a copyright infringement case with an award of over $12 million.

The case involves a residential real estate developer who hired Liz to shoot his properties a few years ago. Liz granted his firm an unlimited, non-transferable license to use the images to promote his building company, excluding usage by third parties. (This happens to be my standard license as well.)

When the builder ignored the license and the additional usage was discovered, the builder refused to acknowledge Liz and instead, let the problem snowball into a Federal lawsuit. The defendant then let said snowball grow by refusing to show up for trial (which the judge didn't really appreciate) so the entire amount of the suit was awarded to Liz. Apparently the judgment will stick, even if the defendant files for bankruptcy.

To some, this large amount of money might seem disproportionate to the value of a few house photos. But, our copyright laws award large statutory damages of $150,000 for each work willfully infringed. So, a few stolen photos can cost a few million bucks if the infringer is aware of the copyright but chooses to ignore it, as in this case.

I've had a few of my own infringement cases over the past 10 years and even when I was awarded a judgment, I was never "made whole" again after the battle. But in each case, I was able to make enough of an impression on the defendant that would certainly cause him to think twice about stealing my work again. I also learned some important lessons:

Our legal system is not based on truth. Seemingly good people will certainly lie in order to suppress the truth and when confronted with hard evidence, these liars will change their story in order to minimize the damage they've done to themselves by offering a settlement that should have been offered on Day One. When it's all said and done, the defendant will always see the plaintiff as the bad guy.

Nevertheless, I congratulate Liz on her victory and hope the news deters people from stealing property for commercial gain. With today's anti-copyright culture, it will certainly remain an uphill battle.
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Photographic Plates

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These aren't your grandfather's photographic plates. They're actually 8" (20cm) porcelain appetizer plates with green nature images I shot in Miami, Orlando and Lake Tahoe and orange images shot in Miami, Kauai and Puerto Rico.

They're part of my side-project Kamra, a product design firm where we create custom photo-design items for hotel, restaurant, spa and retail. We also make glassware, serving trays, votives and other items out of handmade glass, crystal and melamine.

Above are the porcelain plates left in inventory and we need to make room for a shipment of new products coming in (yeah, sounds a little Ronco-esque but it's true). So, if you act now, you'll get the green porcelain plate collection for one easy payment of just $39.99. Or, you can have both collections—that's eight plates in total—for just $79.98. U.S. shipping is always free so order your's today!
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Live From Cancun

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This is our first remote blog post, directly from Cancun, Mexico.

No, we're not here to parasail, drink tequila or jump from one hotel balcony to another. We're actually on day six of a 14-day shoot for a major resort company.

After four days of thunderstorms and schedule revisions, we're now back on track. It's 12:07pm and we've come inside to download about eight gigabytes of raw captures shot from 6am to 10am this morning.

The weather is spectacular and as proof, I shot the above image about 5 minutes ago. While I did use a polarizer filter, I promise that this color was not enhanced in any manner.

Enjoy!

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Let Them Eat Nikon!

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I haven't been this excited about a Nikon since I bought an F3 back in 1997. When the quality of digital SLRs overtook film around 2003, I sold everything Nikon and switched to everything Canon. Most of my colleagues did the same, all with no regrets.

So, why does this new Nikon make my mouth water?

First, it's actually a cake in the shape of a camera. Second, it's red velvet cake with vanilla buttercream and fondant. Third, it was created by Lise Ode, a good friend of mine who recently launched a gourmet custom bakery in Delray Beach, Florida. Lise (pronounced "Leeza") bakes cakes in the shape of books, dolls, flipflops and lots of other things (gift-wrapping available upon request).

No, the camera cake was not for me. It was a custom order for a photographer who was getting married last week. Lise studied Nikon's actual D300 product shots in recreating the menu buttons, hot shoe and eyecup. She cut the logo by hand and just about matched the font. She even remembered the little red triangle (what's that thing for, anyway?). She left out the small lens detach button but if someone wants to remove that lens, they can just use a fork and knife.

So, how many photo geeks does it take to make a camera cake? One to order it, one to bake it and one to write about it.

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What's Your Vector, Victor?

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When I was 17, I had saved up some money working as a busboy to spend six weeks backpacking through western Europe. It was the most liberating experience, much needed at the time. I took tons of pictures and kept a written journal through nine countries (which might get its own blog someday).

I've always felt the ultimate luxury was being able to transport yourself to some far off place to taste the food, see the art, meet the locals and feel like a foreigner. Lucky for me, my job takes me to places where I get to do just that.

Work-related travel for photographers is much different than travel for most people with real jobs. We're not traveling to open a new branch, source suppliers or close any deals. We are traveling because some client feels there is no one in that particular spot who can do the job better than we can. That's a serious validation of the service we provide. And in the internet age, when it's fairly simple to hire any photographer in any locale, I hope clients opting to send "their photographer" overseas continues.

A traveling photographer knows his job is not as glamorous as his friends think. Convincing a flight attendant that your carry-on is not actually 3x the weight limit, watching a clueless TSA agent smear his greasy fingerprints over your $2,000 lens and waiting in the baggage claim area with your fingers crossed is certainly no way to commute to work. One time, my assistant asked an American Airlines flight attendant for a pillow and she barked, "We have no pillows!" and once I was told, "since 9/11, we have no more magazines."

Did bin Laden plot to take away my in-flight reading material?

To keep a running documentation of these glamorous trips, I'm using a custom Google map of our work locations (not personal trips but places where clients have actually paid us to create images). The map will be continually updated as new travel is completed.

Once in a while, I am asked by a new client if I can work somewhere like...Ft. Lauderdale (about 15 minutes from my house). Now, I can just email a link to this map and they will see that my love for travel knows no boundaries.
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My Images Are Not Orphans

Imagine a large company using a photograph of you, without your knowledge, to sell their products. It's your face, your expression, choice in hairstyle, clothes and identity working hard to put money into some stranger's pocket without any compensation to you. After the steam clears from your head, you would probably call your lawyer.

Now imagine your lawyer saying you had no case because the company is protected by a law that entitles them to use your likeness since... well... they just couldn't find you to ask your approval.

This scenario is what all photographers, writers, musicians, illustrators and filmmakers grapple with every day, especially with the proliferation of digital technology and along with it, the ease of copying, distributing and profiting from other people's work. And it's about to get a whole lot worse if certain interest groups have their way with the Senate.

At this very moment, lobbyists representing the publishing industry and other sectors are working to persuade our Congress to adopt S.2913, the Shawn Bentley Orphan Works Act of 2008. If this law passes in its current form, it will make it fairly easy for all companies to steal someone's creative work, for profit.

If you ask the proponents of this bill, they will argue that large amounts of historic images go unpublished because their photographers are unknown and probably deceased (hence the term "Orphan Works"). This is a legitimate concern since schools, public libraries, museums and other institutions cannot afford to be sued for copyright infringement by a surprise claimant. These images can be useful for any application for "the public good" where there is little or no commercial profit. And, if these were the only applications for Orphan Works, most photographers (including me) would wholeheartedly support this bill. Too bad the bill suspiciously omits any protections from large, for-profit companies who will certainly use it to their advantage.

If you think this is just a problem for photographers, think again. The same problem could eventually extend to architects, interior designers and many other industries reliant on innovation and protection for their original ideas.

If you think this is just a problem for professionals, think again. There are a lot of very talented amateur photographers showing their high-res images on photo sharing sites like Flickr. If I was a publisher under Orphan Works protection, this is the first place I would go to right-click a free stock image library for my advertising campaigns.

For those who are not in creative industries, just simply imagine doing your current job for free. Or, maybe just 2 weeks per month free. Or every Tuesday, for free. Would you accept any of those scenarios?

If you are a creator who opposes the Orphan Works bill and wants to join the cause, you can find your senators by searching for them here and write them using this template from photographers, rewording it for your particular industry.

If you're actually a supporter of this bill, feel free to leave any comments below.
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Have A Cow

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I know we're making Wal-Mart nervous. As of today, we are what business professors call "horizontally integrated," with solid footings in both the photography and farm animal t-shirt sectors.

The Six Angry Cows t-shirt uses an image I shot on a farm in Damme, Belgium back in 2000 when I was experimenting with Kodak's EIR infrared film. Photo geeks older than 30 might remember that anyone loading, focusing, exposing and developing this invisible light-sensitive film resembled James Bond diffusing a doomsday bomb. The film was so sensitive that you had to load your camera in 100% darkness. But, the grainy, glowing look was really beautiful and even under/over exposures had completely different and usable results. Kodak discontinued EIR film last year and I felt sad to hear the news, even though I went completely digital in 2004.

I had fun with Zazzle's custom apparel website and the interface is wonderfully intuitive. Other e-businesses have a lot to learn from them since they're one of the few who work hard on the front-end design so the consumer can quickly order what they want, minus their money. No "Want to take a survey?" popups or other annoying things that degrade the user experience. Within a few days, the order comes well-packaged and everyone is happy.

For $25 plus shipping, you can wear a piece of bovine beauty and halide history.
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Addison Mizner's Latest Project

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Anyone who has ever been to South Florida knows the name Addison Mizner. Mr. Mizner, who died in 1933, is the only architect to complete more projects in death than in life. If he could Google himself from the heavens, he would be proud to find over 30,000 results... or, maybe he'd sue for misappropriation of his name.

Today, just about every developer of apartment complexes, shopping centers and country clubs "borrows" Mizner's name, along with a gross bastardization of the great architect's design elements. One offender is Mizner's best-known project, The Boca Raton Club (as it was named in 1925). While being passed around various real estate investors, this once charming lakeside hotel erected an ominous pink skyscraper in the late 1960s. Retained are still some of the original charming areas like the mosaic fountain garden just beneath the tower but even that area is adorned with a large green vinyl awning.

So, imagine my expression when I was hired to shoot the new Grand Del Mar resort near San Diego, arriving to find a familiar "Mizneresque" style of architecture. This Mizner project, however, seemed much different than the others.

As we went through our shoot days, I noticed that despite the large scale of the resort, none of the individual areas seemed too big. Intimate living room spaces, hallways that lead to special views, staircases that wind down underneath spectacular chandeliers... someone actually thought through these things. The Moorish archways, pinkish exterior, Spanish tile roofs and an elegant motorcourt all made me feel like I was in Florida circa 1925. (The only difference was seeing the California mountains and not having to eat mosquitoes during dusk and dawn shots).

The Grand Del Mar is Mizner's best work in 75 years.

The actual project architect is Robert Altevers who, according to his wife Lyla, studied Mizner's style from old project plans and photographs. As I told Lyla, her husband did a great job of interpreting Mizner's style and design elements. It really feels like Mizner, who appreciated the warmth of Spanish villas and Mediterranean patios. Sure, there are some modern elements that take away a bit of the charm but I'm probably too idealistic to be objective about the technical requirements of a modern resort facility. Anything short of actual time travel is just not good enough.

That's probably why I take pictures for a living.
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Weekend Update

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It has been a while since my last post. We have been busy shooting in San Diego, Miami and Trinidad. I have about 200 RAW files to process (taking 1-3 hours per file) and I'm about to take a 4-day workflow seminar with the famed Seth Resnik at d-65.

On the stock photo sales front, despite my 1,000-image library with Digital Railroad, I have yet to receive my first sale (I did get excited to provide a quotation for one image to be used at a trade show in Ghana but they decided not to invest the $99). I am beginning to question DRR's interface and wondering if PhotoShelter might have been a better solution for me.

In other news, the German photography website Inpholio has featured our recent Ritz-Carlton Palm Beach spa shoot, along with some great advertising images from other photographers around the world. Once you're on the site, make sure you click on my image to see the others from the shoot.

More news later...

I'm Window Dressing My Stock Portfolio

My portfolio has tripled in the last year. Wait...let me correct that...tripled in the last week. As of now, I've got 527 stock images available for license.

While I'm not generally an obsessive person, I have been obsessing about uploading, keywording and monetizing my intellectual property. It's not that my kids are starving but more my pent up frustration with the lack of entrepreneurial options for photographers who want to license their images.

Most photographers using the traditional routes to image licensing like Getty and Corbis are keeping roughly 30-50% of the sale (details of which are kept from the photographer). If the sale is sub-licensed through some other agency, the photographer makes an even smaller percentage and has less control over the license and is paid anywhere from 60 days to one year. With Digital Railroad, I keep 80% of the sale, set my own pricing with complete knowledge of the details and paid in 15 days. Granted, agents like Getty reach millions of buyers a day but I'd rather keep my images rarely licensed at a premium than often licensed at a substantial discount.

There's a great interview with the legendary Tony Stone in this month's PDN magazine. In it, he discusses the royalty-free movement and the nature of photographers to be independent in all aspects of their careers. I think if Digital Railroad stays true to it's current path of empowering photographers to make a living with licensing, they are certain to succeed.

That being said, I'm going to get back to keywording and uploading. So far, all of my best images are included. If you don't believe me, just enter the word "beef" in the searchbox:



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Moscow to Miami, Non-Stop

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In October 1962, President Kennedy went ballistic when he heard the Russians were in Cuba. How would he feel now about the Russians in Miami?

A Moscow-based real estate investor recently hired us to shoot 13 units at Miami's Aqua development. (For those who don't know, Aqua is the brainchild of visionary Craig Robins who developed a mini-utopia of residential tributes to Miami's architecture over the years.) The private island neighborhood is a real masterpiece and an educational pleasure to shoot.

The Russian firm hired a local interior designer to fill the units with only the most high-end modernist furniture, art and electronic gadgetry, all on spec. (Are these guys stuck in the pre-dot-com bubble or do they know something we don't?) They're confident they will sell all of the units not to New Yorkers or Chicagoans but...fellow Russians. It seems that Miami has great appeal to the Muscovites who battle winters that make Wisconsin seem like the tropics.

I'm hearing more of the Russian language in Miami these days so maybe it'll be the new Spanish one day. In the meantime, I'm happy to work with them and glad President Bush isn't feeling threatened.
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The Stock Market

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I'll admit that while I've picked some good stocks like (AAPL) purchased at $30, I've also picked some dogs (EBAY) and (YHOO). Fully aware of my abilities (or lack thereof), I am more the hunter/gatherer type of investor...store nuts for the winter...make money the old fashioned way...time value...

With this in mind, I've never made full use of my library of stock photography. But without much of an effort, I have managed to license a few images with the biggest single license to Merrill Lynch for over $5,000 for one year of advertising.

I think it's time I jumped into the stock photography market head first.

I recently signed with Digital Railroad's system of online archiving and distribution. I spoke with a few of DR's current members and was impressed with their interface. So, starting with about 160 images in my little 'stock market,' we'll see how it goes. There are probably another 2,000 stock-worthy images I could license if these first few are successful over the next few months.

Its also been a journey back in time for me to keyword and upload some of the first shots I ever took as a new photographer. One early project had me wandering around Miami Beach's art deco district with my recently-acquired Hasselblad (and my recently-acquired wife as my assistant), shooting hotel facades on b/w Polaroid 665 film. I would peel and wash the negatives in my car as it accumulated parking tickets on Collins. Another time, I was on a cruise ship shoot as we docked in the port of Cadiz, Spain (some guy named Columbus used to dock his yacht there). When I carefully leaned over the balcony, I could see a warmly lit cathedral at sunrise and snapped a nice shot. So far it's been licensed by travel magazines based in Russia and the UK.

Most photographers wait until they're semi-retired before fully monetizing their stock library. Luckily, I've been too busy shooting to really take advantage of licensing and now plan to have both shooting and licensing as parallel businesses. With the small sales I've had, it looks encouraging. But as the stock market teaches us, past performance is no guarantee of future results.

Dead Photographer's Society

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Can inspiration come from the other side?

Once in a while, a client will ask us to reference an old, yellowy photograph of some historic property and re-create the exact shot to emphasize the change over a period of time, usually between 80-100 years.

I really have fun doing forensic photography because it's like solving a puzzle with a mini-trip through time. In fact, if you're good at this sort of thing, you can find out where the photographer stood with his camera, the focal length of his lens, aperture, brand of camera, type of film, tripod height, time of year he shot and what the weather was like on that day. If the shot includes any moving objects (cars, people, etc.), you could also guess the shutter speed and therefore, if he used a tripod or just held the camera in his hands. (Sure, I'm assuming the original photographer was male. He could have been a she but most likely he was the photographer and she was at home. Things have changed, thank heavens.)

Using perspective is the key to finding the exact angle the dearly-departed photographer used. Keeping an eye on the shape of the facade, walk left and right until the sides of the structure line up with the old shot (if there are adjacent structures, use those facades as an additional reference). Then, to find the exact spot where the photographer stood, walk forward and backward until the roofline is the same exact shape (keeping an eye out for the 6-lane highway that might have been built in the interim).

Our first forensic shoot was for Terra, the Miami developer who asked us to fully document the Freedom Tower on Biscayne Boulevard. Built in 1925 by Schultze & Weaver Architects, the building originally housed the newsroom and presses of the Miami News & Metropolis. I took the above shot with the Bayside mall signage right behind me. When I looked down, trying to find the old photographer's footprints, all I could see was fresh cut grass.

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More recently, a shoot in Chicago included the Butler Brothers old warehouse building (now high-end residential lofts with steel balconies overlooking the river). The original shot was done on an overcast day in 1928 and while I think we replicated the weather, shadows and angle of the roofline, we couldn't back up to the original photographer's spot because there's now a traffic signal in the way. As I'm standing there on Canal Street, coughing from the bus fumes, I can hear a bygone photographer's voice telling me, "at least you don't have to smell the horse fumes."
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Lofty Ideas

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Break out the champagne. I have finally had a positive book publishing experience.

Last month, BridgeHouse Publishing launched the hardcover coffee table book Urban Loft: How Chicago Redefined the Architecture, a book about—you guessed it—lofts in the city of Chicago. The principal developer, MCZ/Centrum converted all of the lofts from old factories and warehouses in former industrial areas around the city.

We went to Chicago last summer for flaky pizza, peppery hot dogs and long days of shooting for this book. We had a great time and learned first hand why Chicagoans love their city. (We weren't there in December when their love is put to the test.) The property on the cover, the Clinton Street Lofts, had a surly property manager who didn't feel like letting us inside to shoot the lobby. So, we went across the street and did a nice exterior at dusk. Now it's a cover story...ha!

Congratulations to Marisa, Chris, Cristine, and Christina on a job well done. The book just went on sale at Amazon so we'll see how it does. There's also a book signing with author Christina Noelle at Books & Books in Coral Gables, Florida on Wednesday, February 20th at 8pm.
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Photographer, 90210

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Here's how Aaron Spelling would have described this scene:

Blonde, fashionably-clad starlet in her mid-20s jiggles past a nightclub as the paparazzi clamors for any image they can get. Just inside, local celebrities sip martinis as the sun sets on another perfect day in Beverly Hills.
But, with all respect to the late Mr. Spelling, here is how I would have described it:
Hired talent in her early 30s paces back and forth in the cold December dusk. A sleep-deprived photographer kneeling inches from Wilshire Boulevard breathes bus fumes while trying to ignore the cramp in his right foot.
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We just got back from shooting SportsClub/LA's three Southern California locations. Client Kasey O'Leary-Massey did an amazing job of planning and executing our most productive 4-day lifestyle shoot to date. The most important part was always knowing where to find the local Starbucks.

Celebrities? We saw plenty. But unlike the rest of our media, Red Square Photography refuses to drop names.

My Aunt Linda

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My family recently said goodbye to one of its most well-loved members, my Aunt Linda, who passed away due to complications from cancer at the age of 60. Without dwelling on this most upsetting fact of life, I wanted to share an important image that would not exist if it were not for my aunt.

The shot above is an iconic view—so much that I will not even mention the name of this city and still, 99% of you will know it. (The remaining 1% are probably living underground, without internet access and therefore not reading this anyway.)

In February 1998, my then fiancée and I went to visit my aunt who had a great connection for a private tour of Rockefeller Center. Just above the famous Rainbow Room, there is a door and staircase which leads to a rooftop with a view south to the Empire State Building and World Trade Center in the distance. It was cold, windy and rainy so I was not eager to step out there. But, with my Nikon F3, 20mm Nikkor and high-grain film, my aunt and I ventured outside to see the view which our guide described as "spectacular."

After about 60 seconds shooting, I didn't think too much about it. But when the film was finally developed, this one stood out as a dramatically beautiful image. Even my aunt commented, "That's really a great shot." So I made a small print for her apartment. Over the past decade, numerous companies have bought stock licenses for that image and it remains one of my career favorites to-date.

Well...we've said goodbye to a few of the buildings in that shot and now we've said goodbye to the woman who made the shot possible. I usually roll my eyes when someone says "photography captures a moment" or some other cliché but in some strange way, it's true. We just never know when that moment will be taken from us.
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The Party Set

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Miami Beach is certainly one of the world's most famous nightclub cities. And, one of its newest clubs is Set from the Opium Group developers.

Personally, I have never been a part of the nightclub scene. With two young children, my wife and I are lucky just to get out for a few hours to eat a quiet dinner somewhere close to home. My college years were not much different: I was always the first of my friends to go home and fall asleep, usually before midnight. And before I married my wife, I was on a date with a woman who actually told me, "You're boring!"

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So, when the avant garde magazine Wallpaper asked me to shoot the newest, hippest and most exclusive nightclub in the world's coolest, hottest city, I felt this project would be the closest I could ever get to such a place.

As we were setting up the location, the club's daytime manager ran down the list of famous people who drop in from time to time, including: Paris Hilton, Britney Spears, Diddy, P. Diddy, Puff Daddy, Puffy, Sean John and The Artist Formerly Known As Sean Combs. The club manager also mentioned other famous names but I hadn't a clue who they were...further proof of my unhip life. (That's ok because I love getting a good night's sleep and nothing spoils fine cuisine like the burn of a tequila shot going down your throat.)

The first image is the main bar area with an original Dale Chihuly chandelier and two green vertical plexiglass tubes. On any given night, club-goers will go inside the tubes and dance for the gawkers down below who pretend not to notice. These are not paid, professional models but regular SoBe partiers (as if there were a difference). The large vodka bottles shown are

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Belvedere magnums which sell for $1,500 apiece. So, with nine bottles appearing in my shot, we were careful not to bump any.

Another shot features the DJ booth with a giant flat screen. We needed to freeze an image from the looping video so I chose a frame with artist Andy Warhol, seemingly filming the nightclub crowd down below (a subtle hint to South Beach's exhibitionist lifestyle). Adding some scale to the over-sized faux elephant tusks is "DJ Jazzy" Jeff Herron, a fellow photographer who assisted me on the shoot.

The main bar shot appears on page 144 of Wallpaper's December issue.
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Mediterranean Serenity

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Back in the summer of 2003, Crystal Cruises hired me to shoot their newest ship Serenity as it sailed from Lisbon to Sorrento. Since I was already in Belgium for the summer, I flew to the ship on Virgin Express for an amazingly cost-effective 199 euros round trip. It turned out to be one of my most memorable shoots to date.

Of the 80 final images delivered to the client, one of the nicest has to be the balcony of the Crystal Penthouse, an $18,000/week private residence located midship on the 11th deck (a 24-hour butler is free with purchase).

We had already shot the typical residential angles: foyer, bed, bath and dining, but when I took a walk out on the teak balcony (or veranda as they say in the cruise business), I just had to shoot it. And since the Mediterranean was especially calm that evening, we decided on a long-exposure dusk shot.

Shooting film back then, we loaded my favorite Fuji Reala negative and did multiple 10-second exposures as the soft blue ambient light went dark.

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My camera, the legendary Hasselblad 903SWC (pictured left), was my all-time favorite until I sold it to help pay for my digital equipment not too long after this balcony shot was taken.

I could probably go on and on about how much I loved this camera...still miss it dearly...it was my best friend, etc...but that would make me a scary photo geek so I will spare you, dear blog reader.

The shot went largely un-discovered in the Crystal Image Library until just a few months ago when they added it to their current print campaign as seen in Virtuoso Life magazine's gatefold above.

Better late than never.
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Bienvenidos a Miami

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I haven't posted in a little while...very busy with lots of things that I'll share in a week or two. In the meantime, I'll post this shot of downtown Miami, taken just 48 hours ago.

Anyone in the South Florida area has certainly noticed a recent change in the weather. The low humidity is producing fiery sunsets and the cool breezes are making higher-altitude clouds that move during long exposures (the above was about 50 seconds). Aside from some exposure masking (mostly toning down the bright, patriotically-lit I.M. Pei building) there was not much color enhancement. It really looked like this.

Miami's reputation as a party town (among other things) overshadows some of the best aspects of the city. With the islands, bridges, water and sunsets like this, I've always seen Miami as one of the world's most naturally beautiful cities.

The Red Square Economic Index

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Have you checked the Red Square Economic Index (RSEI) lately?

Real estate is down 99%, hotels and resorts are up 99% and spas are up 70%. And while I'm certainly no Alan Greenspan, I do see my small business as a crude barometer of the economy.

When I started 10 years ago, my biggest clients by far were high-end real estate firms, residential builders and interior designers. Aside from real estate-related clients, I might have shot just one spa and one hotel in those early years. (Spas and hotels probably overlooked me since they seemed to prefer the cold, sterile images resembling hospital rooms and crime scene photography more than anything else.)

Jumping ahead to 2007, I haven't heard from a realtor nor builder in the past 24 months. But in that same time period, I've shot about 10 resorts and six spas.

So, what does the RSEI show for the short-term?

Despite the irrational exuberance of the early part of the decade, everyone knows the real estate market has been depressed and this sector's promotional dollars are spread thin. (Instead of descriptors like "ultra-exclusive luxury enclave," realtors are now opting for cheaper adjectives like "nice neighborhood.") Consumers are equally scared when it comes to real estate but seem quite content with spending a few thousand on a 5-day luxury vacation so the hospitality sector is flourishing. Home builders are worried that they might have to sit on their creations for a few months before they sell but resorts know their bookings months in advance, making them much more comfortable with spending on marketing.

What does the index predict for the long-term?

With a few more resort shoots on our schedule before the end of 2007, we forsee continued opportunity in the hospitality market. But the real growth will come from the spa and healthclub industry.

While a hotel guest might spend $400 to stay in a nice room from 3pm to 11am the next day, a spa can make that in two hours with one couple's massage/pedicure package. And with more hotels realizing the potential of the spa industry (including the neglected men's market), they're applying bigger budgets in design, equipment, staff and, you guessed it...marketing.

We just shot Rosewood's beautiful ESPA at Acqualina and were thrilled to find dark woods and halogen lighting in most areas——a welcomed relief from the accountant-friendly headache-inducing florescents that many spas surprisingly use. The Bisazza-inspired mosaic tile in the ladies' ice bath shown above is further proof that spas are finally paying for real interior design talent, which translates into real dollars when the soothing atmosphere makes people come back for more.

Since distribution channels like Travelocity, SpaFinder and others rely heavily on photographic images to separate the good from the mediocre, I can predict a sharp spike in the RSEI relative to the spa industry.

Stay tuned for our next RSEI report due out in 2017. By then, the real estate market will bounce back and our mailboxes will once again be filled with ultra-exclusive adjectives.
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Check out my new Kamra!

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For a little more than a year, I have been working on a side project named Kamra (pronounced camera).

Kamra is a separate company formed by me and my partner, Rob Berman and its purpose is the design and manufacture of tableware, home decor and hotel/spa items that use photography as a main design element.

Back in my advertising and graphic design years, I thought that photography had great potential for product design and shouldn't be relegated to a flat piece of wall art. In 2001, I began applying images onto synthetic materials (durable, washable, food safe, etc.). But, even if I was able to create a great prototype, I hadn't a clue about mass producing and distributing it.

Rob's company Impulse has been manufacturing and distributing acrylic, wood and glassware products for years. So, he knows how factories operate and how products like this are sold. Impulse was a second career for him after his first life as an attorney for an internet company.

So, Kamra gets one partner with manufacturing, sales and distribution experience and another partner with photography, graphic design and print production experience. As a bonus, since most stock photography companies charge big bucks for images in the "items for resale" category, its great that Kamra can create as many unlimited royalty-free images that it needs.

CocktailVibe (another Berman invention) handles consumer web-based sales and features lead crystal products like the above flower and grass votives as well as my favorite, the crystal fire votive. They're shown on our acrylic grass tray. In the next few months, we'll have new glassware and melamine collections so stay tuned.

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The chick and the egg

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I shot this image for dkVogue, a furniture retailer specializing in Danish classics from Arne Jacobsen, Hans Wegner, Poul Henningsen and others from the mid-century modern design movement.

My client gave me this simple directive: "We want a model wearing nothing but the chair."

As an architectural shooter, I have absolutely no experience with anything like this so two things made me nervous. Is it possible to take Jacobsen's iconic 1956 Egg chair (probably photographed thousands of times over a half century) and do something new with it? My other worry was since this client wanted to show a naked woman using the product, could we do something beautiful instead of just...well, naked? I wanted to make an image that Arne himself might approve. (Too late since Jacobsen died in 1971 but you get the point.)

Architecture geeks like us are usually challenged with shooting a room from a small corner or showing off the expensive crown moldings. I'm also used to working with tungsten lighting, not strobe. My exposures are usually 30 seconds, not 1/125 like a fashion photographer. I'm trained to wait for the sun, not the makeup person. (We didn't need to wait for wardrobe since the chair was already there.)

Still getting her hair done was Czech model Hanka Janouskova who must have been no older than 22. From Hanka's portfolio, I could see that she had worked extensively with talented, established fashion photographers from around the world. So, I confidently introduced myself as the photographer while secretly hoping she knew what she was doing because I certainly hadn't a clue.

Well, despite her youth, Hanka's fashion experience and professionalism made my job easy. With each pop of the strobe

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she would change positions, each elegant pose showing what we needed to see while hiding what we were not allowed to show. She was the perfect match for a photographer with zero fashion experience.

Continuing my current excursion from architectural photography, I have added a Lifestyle section to my updated my updated portfolio site. Most of these new images were shot at resorts and spas around the U.S. and Caribbean.
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Fall Fund Drive

I have always been very fortunate with getting paid on time. I require all clients to provide a 50% deposit in order to book a shoot with the balance due upon receipt of final images (in reality, I give clients up to 30 days to pay that final bill and once in a while, an invoice has gone to 45-60 days). In nine years of shooting professionally, I have never had to write off bad debt.

In my years as an ad agency account manager, I remember the "we don't pay our vendors until our client pays us" rule and despite my disagreement with it, I did have to abide by it when I hired photographers to shoot for my clients. However, I felt then and I still feel now, this rule weakens vendor relationships.

I pay my assistants, accountants, book keepers, web designers and other people who provide services to me within 1-2 weeks of receiving an invoice. As a result, they all jump for me when I need them, which allows me to provide better service to my clients. By paying my vendors in a timely manner, they know I respect the service they provide.

The Outlook Is Oblique

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As a Florida resident, I have a lot of friends who enjoy golf. While I can see the appeal, I have absolutely zero golf talent and therefore find playing 18 holes a great way to increase my blood pressure and decrease my self esteem at the same time.

While I have shot a few random golf images, they were usually a small part of a larger resort shoot. So, it was a new challenge for us to spend 72 hours in Del Mar, California shooting nothing but tees and greens at sunrise and sunset.

The course at the Grand Del Mar Resort (owned by famed developer PapaDoug Manchester) was designed by Tom Fazio who is known for his dramatic style of landscape architecture.

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To a non-golfer like me, the Grand Del Mar course is nothing more than a graphic series of rolling greens with white bunkers shadowed by tall trees. Each of these greens runs along the property's high ridges and low valleys created by California's mountainous landscape.

While we did take some nice shots on the ground, some of the more interesting views are from the air. So, I hired the very skillful Ivor Shier of San Diego-based Corporate Helicopters to help us shoot the course from the perspective of a bird armed with 11.2 megapixels. The copter was a turbine-driven A-Star which offers a smooth, safe ride at low altitudes and is therefore the tool of choice for the film industry. However, at a cost of $1,325/hour, I felt the pressure to land with stunning images for my client.

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All aerial photographers know that while some straight-down shots do look interesting, it's the "obliques" that can offer nice multi-layered views. Instead of shooting down, obliques are shot across the landscape, usually at an angle just below the horizon. And, if your shot stretches a mile or more through the mountains, factors like moisture, atmosphere, heat and sun position can produce very interesting effects from one part of the shot to the other.

In order to see over the skids of the copter, Ivor removed the two doors on my side. After I was harnessed in, we took off for a 45-minute flight at the 'magic hour' before sunset. (As a funny coincidence, both my life insurance policy and my accidental death and dismemberment policy came up for renewal just one week prior. I paid both premiums just before leaving to the shoot and made copies for my wife who, incidentally, did not see the humor in it.)

Elasticity of Photography

My college macro economics professor used to explain the Elasticity of Demand as a rubber band with one end attached to a particular product and the other end attached to its price. As the price rises, the demand (represented by the rubber band) stretches to the point that the consumer is willing to pay, until the price becomes too high for the consumer and the rubber band breaks. So, when Pepsi prices rise to a certain point, more people start to buy Coke, etc.

With this philosophy in mind, I've been taking note of my own photography business' elasticity and have found some interesting things:

1. By the end of 2007, we will have done three separate shoots in the state of California. Is this because there are no photographers in California? It's very expensive for a client to fly me, my equipment and assistant out to a location while paying for hotel, rental car and meals for a week or more. My guess is these clients (who I have worked with previously) appreciate our images and the easy process of working with us. For these two clients, our services are highly elastic relative to the cost of working with us.

2. Back in 2004, we spent six weeks shooting resorts in Hong Kong and Bali while flying from our base in Florida. In this case, our services were extremely elastic.

3. While we seem to be good enough for resorts around the globe, we apparently don't have much clout here at home. For instance the Boca Raton Resort & Club—long considered a playground for the wealthy—is so geographically close that I can actually see that pink tower from just outside my house. However, when I offered them a quotation to shoot their property, they quickly hung up the phone and never called back. I guess they consider my work completely inelastic.

My college professor would be so proud.
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Fashion capital of the world

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As designers of fabulous couture sip champagne at after-show parties in Paris and New York, factory workers in small towns around the globe are cutting, sewing and pressing next season's ideas into finished garments. Therefore, one could argue the northern Romanian town of Baia Mare (pop. 150,000) is the true center of the fashion universe.

We traveled to Baia Mare to shoot the Habitex garment factory back in July 2006 and found the modern facility a far cry from what we expected. A gleaming daylight-filled building, high ceilings, skylights, air conditioning and rows of advanced sewing machines gave us lots of angles and subjects to capture. A complex ceiling-mounted rail system channels finished garments from two factories into a single warehouse (think of your dry cleaner's rail system times 1,000). The materials, stitching and accessories were all made of the finest quality.

It seems Asian factories have stolen all of the low-end garment work, leaving the skilled seamstresses of Eastern Europe to concentrate on the high-end. Goodbye Wal-Mart, hello Hugo Boss. And, with the former eastern bloc country set to join the EU, wages and working conditions are reaching western standards. Goodbye communism, hello capitalism.

To design their website, Habitex hired the Ghent-based Group94 (incidentally, the same design firm who did redsquarephoto.com and other great portfolio sites).

The Chicago Four

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The man on the left with the daily shave is Chris Michel from the Bridge House design firm. The man on the right with the weekly shave is me. The guy in the middle with the monthly shave is Jeff Herron. We were eating dinner on the last night of a recent 5-day shoot in Chicago.

This is 3/4 of the crew from the shoot. The only crew member not pictured is the one behind the camera, Marisa Marcus, account manager at Bridge House. Marisa held the heavy 1Ds camera amazingly steady for 1/8th of a second to get this shot.

Clean up your room

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My mother-in-law would flip if she saw this room.

We shot this artist's loft in Chicago a couple of months ago. I found the absence of color (in the loft and in the 100s of papers) very interesting. It wasn't immediately evident what the artist's specialty was but he was a very calm, very polite man in his 40s.

The third-floor room used to be a garment sweatshop around the beginning of the 20th century. Old papers found on the site include what seemed to be a handwritten work schedule of seamstresses with Italian names.

While the mess in my office doesn't approach the level of this one, I will argue (mostly with my wife) that right brains need a bit of chaos in order to function properly.

FOR PHOTO GEEKS ONLY:

I shot this with a PhaseOne P20 digital back with side-to-side stitching, creating a 30 megapixel image showing every detail in the room. The lens was a 24mm Schneider Digitar (a little soft but highly recommended) mounted on a Silvestri Bicam (highly not recommended). The only light sources were the windows in the shot so it did require some masking in Photoshop.

Not staying the course

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Over the course of my 9-year photography career, about 95% of my projects have been architectural in nature. The other 5% have been interesting diversions from the typical homes, hotels and other structural subjects that I usually shoot. Some of those odd projects have been mentioned here in my blog and others have gone unnoticed, sitting in the depths of my 1.2TB hard drive.

A few of my friends and clients have suggested I turn my efforts to shooting lifestyle, or more specifically, spa lifestyle. So, in an attempt to generate some new business (since the U.S. real estate market continues to tank), I will be updating a few of my online portfolios to include more of my people shots. The first portfolio to get an update is my PDN PhotoServe. Other updates will be mentioned here in the coming days and weeks. After reviewing these images, if anyone feels I should stick to my day job of architecture (or just give up photography completely), please feel free to comment.

Can you name this city?

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What major city could this be?

Our first jewelry shoot

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A friend asked me to shoot some of the ladies' chokers that she makes by hand. Since I specialize in architecture, I don't know what gave her such confidence in me. But, I hung some black cloth, dusted off my softbox and set up a makeshift studio in my office (since, as we all know, architectural photographers don't need studios). I used my 90mm TSE lens which is incredibly sharp combined with soft blur in specific areas.

I think the results were good and my friend/client is happy. The collection is by Linea Cavalcanti and I believe the material is onyx.

Motion Pictures

Everyone says they "absolutely love black and white photography" and I do believe them. But, what type of b/w photography? Weddings? Photojournalism? Fine art? I happen to like all of the above, especially fine art b/w.

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And within the fine art b/w genre, I have come to really love images with these three elements:

1. Long exposures with moving objects (water, clouds, cars)
2. Range of mid tones (like a good charcoal sketch)
3. Rich blacks (like motor oil)

While I have taken lots of images like this as experimentations (eg. the North Sea jetty on the left), there are a few photographers who actually make a living in the "fine art b/w long exposure moving object range of mid tones rich blacks" genre.

One of these photographers is Josef Hoflehner. I'm on Josef's mailing list so I get to see his newest projects. I enjoy looking at his work so much that he's probably sick of me telling him. Another great talent is Michael Kenna who I saw speak at FotoFusion back in 2001. He showed some great work and talked about how he has been able to shoot these types of images due to one particular aspect of his personality: he doesn't mind spending long amounts of time completely alone. (I am also a bit like this except I do need to check in with my wife and kids after a few days.) Another point Kenna made was that it's not about equipment or f-stops but instead about what inspires you or moves you to shoot.

If you still want to see more images like this, check out Chip Forelli. Aside from Kenna, who shoots ads for Volvo in his spare time, Forelli is one of the more commercially successful photographers in this genre. I've seen his images for sale in mass market retail stores, on calendars and even in my Mac's desktop and screen saver options.

More on Black & White

In the next U.S. presidential election, I will be voting for either a black man or a white woman.

Golfer misses birdie, hits helicopter

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This is one angry golfer.

In the middle of his sunset golf game, a photographer's helicopter kept circling around, causing a distraction. Rather than take his 5th mulligan, he tried to hit the photographer with a golf ball...and missed.

I know this story is 100% true because I was the photographer and above is an actual shot of the guy about to launch a barrage of small, white, dimpled anti-aircraft artillery. The location was Raptor Bay Golf Club in Bonita Springs, Florida and the golfer was a tourist from Austria.

Sitting next to me in the copter was my client, Luis Capaldo, creative director at DLCIM in Miami. As we were in flight, we saw the golfer, we saw he was angry and despite the loud engine, we could almost hear him yelling at us.

When we finally landed after sunset, he sped up to us in his cart and yelled (in a German accent so thick, it almost sounded like he was actually speaking German), "Do you zink dat helikopters und golf go vell togezher?!"

Luis replied, "Oh, no sir. They don't go well together," answering the rhetorical question honestly and sympathetically. After a few minutes of talking, the man calmed down when he realized we were actually hired by the resort (who forgot to warn golfers there was a photo shoot that afternoon).

Mostly clear with a chance of sharks

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About a year ago, we were in Myrtle Beach, South Carolina shooting some timeshare properties for Bluegreen Corporation. On the last day of the shoot, we took a break to visit Ripley's Aquarium and it was really incredible. Jeff snapped this shot of me in a plexiglass tunnel (my preferred method of meeting a 10-foot shark). The aquarium's website has the most annoying music you could ever imagine so whatever you do, don't click here.

Medium = neither rare, nor well done

As a consumer, I am not happy with the quality of most print media. As a working photographer, I'm totally disgusted with most print media.

With a few exceptions, my editorial assignments have been mostly one-sided with the publication on the longer end of the stick. If any publishers are reading, here's a list of grievances that many photographers share:

1. Publications misspell, hide or completely omit photo credits and photo bylines.

2. They present a rights-grabbing contract as "Our Standard Agreement."

3. They use images beyond their agreed license (reprints, "sister publications," books, DVDs and items for resale), hoping the photographer doesn't catch it and if he does, hoping the photographer will settle for less compensation.

4. They don't pay very much (but instead offer "exposure" which is negated by grievance #1).

5. They're systematic slow-payers (part of their cash flow strategy).

In a memorable quote illustrating point #5 above, the publisher of one unnamed magazine once told me (as I inquired about a 120-day-old invoice), "There are a lot of other photographers out there we can work with, you know." The next time they called me, I said I was eternally booked.

Another unnamed publication had their very talented art director hire me for a residential shoot a few years ago. The images came out very nice and her layout was stunningly beautiful. But, the magazine didn't want to spend the money to send someone on a press check and the entire story printed flat, unsaturated and unappealing. To make matters worse, my invoice went unpaid for almost a year. Sadly, the next time the talented art director called, I was 'booked' then too.

There are a few wonderful exceptions to the above. I've done some very fulfilling assignments for Wallpaper, WohnDesign, Eigen Huis, Australian Financial Review and other respectable publications. There are a few other magazines who I would jump to work with if I should ever be lucky enough to hear from them.

Over the next few years, it will be interesting to see how the new influx of "prosumer" photographers affect the level of respect from publications. Either things will get worse because there will be even more photographers "out there" for publications to churn through or the quality level will go down so far that publications will appreciate professional work once again. I can honestly live with either scenario since, thankfully, I rely on my commercial clients for a living.

The dream editorial assignment I've been waiting for is when a writer calls me to partner on a documentary book on some visually interesting subject. I will tell him that for shared photo-editorial control, a photo byline on the cover and a fair percentage of sales, I will gladly work to make sure the book is well done.

Grot, grot and more grot

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Under the category of "non-architectural," this assignment was to shoot high-res stills for a film producer. The studio then used these images for packaging and promotion. As a photographer, production stills assignments pay a decent hourly rate and are a welcome diversion from the volume of homes and hotels that I usually shoot.

Steve Kemsley of London-based Sassy Films hired me for two very memorable production stills jobs. The first was an exercise video featuring Penny Lancaster (aka Mrs. Rod Stewart for people like me who don't read the tabloids) and the second job was shooting the exercise video shown above.

What? It doesn't look like an 'exercise' video? Well, think of it as a bunch of British Victoria's Secret models doing high-impact aerobics.

I'd like to say that this salacious combo is just something for the English commoner. But as an American, I know all too well that our own culture eats this stuff up. The creative direction I received from Steve's cockney producer is "shoot as much grot as you can." When I asked him the definition of 'grot' he pointed to one model's derrière and said, "That's grot."

(According to the Urban Dictionary, 'grot' has a few colorful definitions and I'll let you do any further research at your own risk.)

When I got home that evening, I immediately showed my wife the images so she couldn't accuse me of not showing her. The video title is Pump It Up from Ministry of Sound.

Photo-epiphany

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We shot the Colony Club in Barbados a few months ago. Jeff snapped this image of me while I stood on scaffolding for about an hour during dusk. The sky really did look like that. As many commercial artists are familiar, this was one of those moments when I was reminded of why I'm in this business.

I just can't work in these conditions

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If I had a large company, I would probably have a comfortable office. Instead, I have a minuscule company with an infinitely large office.

Jeff Herron took this shot of me on the roof of the Hyatt Regency Lake Tahoe. We used the hotel roof as a vantage point for a few of our key shots after the hotel employees tipped us off to their favorite spot to take a break. The funny thing is that this "no-access" rooftop had better views of the lake and surrounding mountains than any guest area in the entire resort. I considered it my duty to take advantage of this hidden gem and the result is below.

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Terrorists Don't Use Tripods

Once in a while when shooting architecture, I'll be approached by some well-meaning citizen who is concerned I might be a terrorist. I know you can't tell from this blog but, I am a very American-looking male, speaking non-accented English, on the older end of the 0-40 demographic. So, while I don't fit the stereotype of a terrorist, I still might be one since I am armed with...a camera.

During the questioning phase, I am always accommodating, polite and respectful. I know their intentions are not to stand in front of my lens to ruin my dusk shot. But after I give them my business card, ID, first born and answer the "How many megapixels?" question, I have to get back to work.

The funny thing is that I shot the Sears Tower in Chicago a few weeks ago (it's currently the tallest building in America) and no one said a word while we camped on the street for over an hour. The sad thing is that with technology today, anyone planning do do something evil can get images of any building, airport or other structure covertly, within seconds. (If you doubt me, please click here to see how a real terrorist gets his pictures with $150 and a button-down shirt.) If I know this, you can be sure the bad guys know it too.

So the next time you see a photographer out in public, using a tripod, tethered to a MacBook and doing 45-second exposures, the only evil he's probably doing is forgetting to watch his histogram.

So, you want to be a photographer?

Over the past 9 years of shooting professionally, I have received no less than 100 emails from people asking for advice on how to get into the business. Remembering how I felt at the beginning, I try my best to take the time to share what I've learned and be of help when I can. Here is what I usually tell them to do (in order of importance):

FIND A MENTOR
Google a bunch of photographers in your nearest metropolitan area, look through their portfolios and make a list of the top three who's work you respect. Write each an email expressing your interest in learning about photography and offering your services as a dependable, hard-working assistant. While each photographer has his own idea of an assistant's value, you can be sure it will not be much compared with the amount of labor you will provide. (I left a $65,000/year burnt-out career in advertising to assist Dan Forer with overnight shoots for $5/hour and loved it.) What you will get in return is hands-on knowledge of how to shoot for a living. One of the three photographers you assist will certainly be a nutcase who makes you reconsider your career choice and another will be a highly-organized chap who takes a full day to set up each shot. The third will hopefully be someone with a style and demeanor you can respect and grow with for a little while. Lastly, you will know when it is the right time to go on your own, if that's what you choose to do.

GET YOUR MINIMUM EQUIPMENT FOR $2,148
Since most assistants have limited funds, you only need three things to start: a point-and-shoot camera, laptop and software. (Sure, you can't shoot a double-page spread for Vogue with a p/s camera but you won't be getting those jobs now anyway.) My choice to start would be a $600 Panasonic DMC-LX3 for many reasons but mostly since it shoots RAW, the only format you should ever consider shooting for the remainder of your existence. Unless you are in love with your PC, you should certainly get an Apple MacBook for about $1,099. My personal choice for software is a legally-licensed version of Adobe Photoshop CS4 for $640. There are many reputable retailers for this stuff but I have been dealing with B&H to get great prices and avoid state sales tax since I started.

JOIN THE PHOTO COMMUNITY
One of the best things I did was join ASMP. The online community, blogs, tutorials and other stuff was mostly non-existent when I started back in 1998. They negotiate discounts for all members, especially for students and even offer health insurance, sample contracts, legal advice (with caveats, of course) and tons of other benefits that make the membership fee a tiny price to pay. As for fraternizing with your local competition, I am all for it. When I started, I left a few voice mails for fellow photographers as I was looking for advice on equipment. When some wouldn't return my calls, I knew who the insecure bastards were.

EVEN IF YOU'RE A CAVEMAN, YOUR ART HAS VALUE
Well, the caveman's art probably has more value than yours because people pay a lot of money to see that stuff. And if all cavemen retained their copyrights, imagine the licensing fees they could have been collecting all this time. All kidding aside, when you start shooting on your own, don't ever do a "work-for-hire" assignment (unless it is for a ridiculous amount of money, which it never will be). Even if you grant your clients a liberal usage license, you should always own the copyright to your work. Since 1997, I think I have lost only one job because I wouldn't do WFH and I consider it a blessing. Ask any photographer, songwriter or filmmaker about WFH and they will most likely agree with me on this.

Of course, there are 1,000s of details on the above points but these you will pick up along the way. Photography has been the most rewarding (and longest lasting) job I have ever had and if your attention span has made it this far down my blog, you can probably make a living as a professional photographer.